Space Media Festival 2016 is an initiative by Modern Body Festival and DEZACT architectural platform.It consisted of multiple small- to large-scale activities focusing on avant-garde experimentations traversing fields of art architecture and urbanism. The festival took the form of a
Why is why of no stranger is a first-person sound-film without image; It is meant to be experienced as an immersive spatially distributed acousmatic environment with no beginning and end. The piece is concerned with embodiment mediated memory and hyperreality.
site-specific multimedia installation - Proxy Kabinet: Raamweg 47 is a site-specific installation taking over the control room of the former headquarters of the European Police (Europol) in The Hague. The control room typifies the desire to explore remote spaces
for feedback-augmented alto clarinet and real-time computer processing - The piece Palpebla Resonoj #1 is an open composition for feedback-augmented clarinet and real-time processing taking its final form in performance. It explores hybrid acoustics through the resonances and dynamic
'Act so that there is no use in a centre' is an abstracted and deconstructed spatial radio play. It sets 'Rooms' from Gertrude Stein's seminal language-art book 'Tender Buttons' (1914) as a distributed radio-transmitted sound installation meant to be explored
Center no Distractor's debut EP Nothing aiming is a splinter was recorded live partially in front of a live audience in December 2012. The EP was released in 2013 by inklino records. You can listen and order it through bandcamp.
Involuntary Cognition Faction is a fixed medium work part of a larger suite created in the legendary voltage-controlled studio of the Institute of Sonology (Bea5). The piece was awarded at the International composition competition Città di Udine 2014.
for female voice and surround live electronics - What is the current that makes machinery’ is a cycle of short pieces for female voice and surround live electronics written for vocalist Stephanie Pan and her unique capabilities in extended
For digital feedback (live electronics) - L'Hypothèse de l'Atome Primitif Sonore (‘The Primeval Sonic Atom Hypothesis’) is named after a cosmological theory 'L'Hypothèse de l'Atome Primitif' presented in 1931 by Georges Henri Joseph Édouard Lemaître a Belgian physicist astronomer
a micro-telematic sound-art installation - Observe Recount Distort! is a site-specific piece that explores the observer effect and the iterative distortion of information through its collective social re-statement. The piece is as a metaphor for the distortion of information/fact/event
Fantasia On A Single Number (pronounced: /fantazía/) is an open composition that takes its final form through live performance. ‘Fantasia’ was the most open to improvisation classical music form. Described by Renaissance composer Luis de Milán in the 16th
Keledón is an interactive kinetic sculpture from vacuum-formed polyethylene CNC-cut acrylic plexiglas and wood with generative audio video and light projected from within its body. It is an automaton conceived and modeled algorithmically as a living creature its visual form
Debut CD release from experimental improvisation trio Computer Aided Breathing (Stephanie Pan/Kirstin Gramlich/Stelios Manousakis) on SevenInchRecordings [SIRcd002]. The album was recorded and compiled in DeFlat Studios by Stelios Manousakis from improvised materials. Kirstin Gramlich: Emu B3 Hammond Stelios Manousakis:
An electroacoustic tape piece whose sound material consists of transformations of harpsichord recordings performed by the composer. This material is processed using a complex hierarchical network of Lindenmayer Systems and Genetic Algorithms - an algorithmic model of organic growth.
for L-system Digital Sound Synthesis - "The development of an organism may [...] be considered as the execution of a 'developmental program' present in the fertilised egg." (Lindenmayer A. – Rosenberg G.: ‘Automata Languages Development’ 1975) The fundamental concept behind