Talk by Stelios Manousakis at the ZKM GLOBALE: Performing Sound Playing Technology symposium titled "The body as interface through interference:
A software prototype of a performative Music Information Retrieval system for the Genetic Choir's project Loop/Copy/Mutate. Year: 2015 Artist:
University of Washington Seattle USA Center for Digital Arts and Experimental Media 2008 - 2012 Instructor: DXARTS 490A (Instructor) -
New Interfaces for Musical Expression (NIME) 2012 ABSTRACT: This paper presents the system and technology developed for the distributed micro-telematic
Artist presentation and interview of Stelios Manousakis at Gonzo (circus) magazine 2011. Written by Robert Muis.
Course code examples: "Real-time & Interactive Computer Music and Algorithmic Media with the SuperCollider Programming Language" (DXARTS 490a) About These
Course code examples: "Digital Musical Instrument Design and Creation" (DXARTS 198b/DXARTS 198c) About: These examples were made for a course
Center for Digital Arts and Experimental Media (DXARTS) 2010 ABSTRACT: This two-part paper covers the written portion of the Qualifying
Leonardo Music Journal MIT Press issue 19 December 2009 ABSTRACT: This paper presents a new non-standard technique for waveform synthesis
2007 - available upon request ABSTRACT: This paper introduces Lindenmayer systems (or L-systems in short) as an algorithmic method for
Bachelor's Thesis in Linguistics National University of Athens 2003 (Language: Greek) Bachelor's thesis on the relationships between human and language.