Tools

Year: 2016 Artist: Created for Paul Devens Type: Networked interactive embedded system (Development of software hardware network sound design

Talk by Stelios Manousakis at the ZKM GLOBALE: Performing Sound Playing Technology symposium titled "The body as interface through interference:

Loop-Copy-Mutate: Music from People and Places is a new project by the Genetic Choir which will yield a year-long

A software prototype of a performative Music Information Retrieval system for the Genetic Choir's project Loop/Copy/Mutate. Year: 2015 Artist:

Year: 2015 Artist: Created for Paul Devens Type: Embedded system (Software & hardware development) Description: 8 channel stand-alone sound

Harnessing feedback Input -> Process (‘black box’) -> Output-as-Input -> Process -> Output-as-Input-> ... (and so forth). Feedback -

Stelios Manousakis guest artist at the ZKM | Institute for Music and Acoustics in discussion with Ludger Brümmer giving insights

University of Washington Seattle USA Center for Digital Arts and Experimental Media 2008 - 2012 Instructor: DXARTS 490A (Instructor) -

The feedback-augmented alto clarinet is an acoustic instrument an interactive acoustic filter a resonator and feedback chamber a digital control

General info: Anadrasi ('Feedback' in Greek) is a live performance instrument with two sections / sub-instruments: a semi-modular digital feedback

New Interfaces for Musical Expression (NIME) 2012 ABSTRACT: This paper presents the system and technology developed for the distributed micro-telematic

The feedback-augmented sopranino clarinet is an acoustic instrument an interactive acoustic filter a resonator and feedback chamber a digital control

Artist presentation and interview of Stelios Manousakis at Gonzo (circus) magazine 2011. Written by Robert Muis.

21 radio receiving robot dogs for multi-channel mobile sound diffusion with power-off delay timers: Hardware (electronics design laser-cut objects) and

Course code examples: "Real-time & Interactive Computer Music and Algorithmic Media with the SuperCollider Programming Language" (DXARTS 490a) About These

Course code examples: "Digital Musical Instrument Design and Creation" (DXARTS 198b/DXARTS 198c) About: These examples were made for a course

Center for Digital Arts and Experimental Media (DXARTS) 2010 ABSTRACT: This two-part paper covers the written portion of the Qualifying

Leonardo Music Journal MIT Press issue 19 December 2009 ABSTRACT: This paper presents a new non-standard technique for waveform synthesis

stm.modular is a real-time algorithmic composition instrument with a modular architecture that emphasizes the generation of multiple layers of data

2007 - available upon request ABSTRACT: This paper introduces Lindenmayer systems (or L-systems in short) as an algorithmic method for

Master's Thesis Institute of Sonology 2006 ABSTRACT: This dissertation presents an extensive framework for designing Lindenmayer systems that generate musical

Bachelor's Thesis in Linguistics National University of Athens 2003 (Language: Greek) Bachelor's thesis on the relationships between human and language.